I am an abstract expressionist painter who creates non-representational works on canvas. These works are alive with my organic and gestural movements
Charcoal and oil stick markings activate these canvases allowing my intuitive thoughts to develop and awaken. Working with acrylics, charcoal, spray paint, ink, collage and found objects are the mainstay of my toolbox. Drippy splats and dribbles of paint lend themselves to the rawness of my work, allowing areas of clarity, coupled with looseness of form and detail to shine through the layers of acrylic.
I know the rules … yet, I love to bend or break them.
My artwork is intriguing, sensual and edgy, creating a visual question of what is real and what is left to the viewer’s imagination. I describe myself as an artist who paints what I feel; and, my feelings, generally, take me to extraordinary places.
I am dissimilar from the crowd and believe my works create endless dialogues.
A photograph enables the dimension of Time to be added to art. An accumulation of time that the human brain is incapable of capturing. Or, a minuscule fraction of time that the brain is also incapable of capturing and retaining.
I retired from a 38 year successful career of engineering – creatively solving problems to efficiently and safely deliver value and quality. I am discovering and developing my art to deliver value and quality – to the visual senses. With no formal training in the Arts, I embrace the challenge to look, see, capture, and articulate. I want my viewers to see, if just for an instant, through my eyes – the same images that they may Look, but may not have the time or vision to See.
“Somewhere, something incredible is waiting to be seen.” is my motivation.
I used to be a university lecturer in China, teaching graphic design. My husband and I ran a photography studio for over 10 years since 2003. In 2014, my family came to the United States and settled in Bloomington, Indiana. Although the living environment and language environment have changed greatly, it has not changed my love for painting. At the same time, the local artists in Bloomington have given me a lot of encouragement and inspiration. I am honored to be a member of the local artists in Bloomington.
I love painting, and like to try different painting materials and styles, which makes my works show a strong diversity. In painting, I focus on the use of black and white painting, watercolor painting and acrylic painting materials, but I also do not refuse to try other new materials. In terms of painting subjects, I also try to create figures, animals, landscapes and abstract expressionistic paintings. Meanwhile, I also try to use new materials to create abstract paintings with Chinese and Tibetan culture as the theme. After settling in Bloomington, my interest in classical music inspired me to create some relevant abstract works. Therefore, I would like to say that my works are constantly changing with the change of living environment, and the diversity of my works is still growing.
As artists, we subject ourselves to criticism, both external and internal. There is that tier that we are always trying to reach, that next level that always seems out of our reach. Because of this constant chase, we often leave art behind, deemed ‘failures’ and ‘mistakes’ that should be hidden away from the world.
This show is to explore the idea that unfinished pieces, disappointments, and frustrations should be celebrated for what they are; beautiful works of expression and lessons learned. There is always someone that will appreciate what the artist creates in some shape or form, and as the creators, we must be proud of what our hands craft.
Bloomington photographer Grace Schafstall empowers women to love their bodies while exploring representations of feminine beauty. Through her boudoir photography, she examines the subtleties of the female form allowing the audience to experience intimate moments reserved for the camera.
“You are so used to your features, you don’t know how beautiful you look to a stranger.”
Self-taught photographer Grace Schafstall developed a love for photography 6 years ago when she was gifted a hand-me-down camera from an uncle. It had fallen off the roof of his car and he had upgraded. Scuffed and old as it was, Grace loved how it felt in her hand. She photographed as a hobbyist until January of 2018 when she discontinued her degree in Nonprofit Management at Indiana University to pursue her dream as a full-time photographer.
Grace and her partner, Kevin, work together at GS Photos photographing weddings, families, and boudoir. They reside in Bloomington, IN with one roommate – Kevin’s 87 year-old grandmother. They spend much of their time improving their home, spoiling their 4 cats, and nurturing their dozens of plants.
Inner feelings made tangible via brushwork and extravagance. Representative and abstract works in acrylic by Milton Knight.
Milton Knight graduated from BOCES Cultural Arts Center (Syosset, N.Y.), then took a few college classes in art at Hofstra University while beginning a freelance art and writing career. He left home at seventeen, eyeing out what some would call a semi-living at through crafts while enjoying a lovely semi-homeless existence on Manhattan’s waterfront. He finally landed in a Brooklyn brownstone where he spent seven water buggy years.
Knight spent the 1980’s on the outskirts of the “radical art scene” of Greenwich Village. A challenging time, if not always a happy one. Labor on Ninja Turtles comics allowed him to get up a grubstake to move to the West Coast in 1991, lured by prospects of a more healthful existence. “There I followed a riot and a few earthquakes while working in animation as a designer, animator, and debuting as a director thanks to a good friend Felix the Cat and yes, I did a spot of work for Disney.
Today Knight works on a stream of independent projects, which have included a first novel, independent animation, and painting. He became a Bloomington resident in June of 2018.
Jeanne Smith is a transgender woman Artist living in Bloomington since 1972. Her art and crafts include:Avant-garde, sound effects recordings,Bicycle frame design, and building photography, Trashion/ Refashion ,sculpture, performance art including costuming, lighting hula hooping and burlesque.
July 5th-28th, 2019
Brandon Hamilton is a multi media artist who creates abstract textural pieces from a wide array of material. His art is deeply textured and uses physical processes such as air, heat and fire, water, velocity, and gravity among others to create works from recycled and found objects; commonly using organic materials, rocks, glass and metal in his paintings with a chaotic, yet purposeful layering approach that generally assumes forms reminiscent of ethereal landscapes of the universe and a hint of more earthbound geomorphic designs.
By using the forces of nature and physics to create these pieces he often likens his art as representations of the evolution of the universe and life itself. His interest in art began early in life, inspired by a very creative family environment, and his father, Walter Hamilton- who was not only a fine arts professor, but an accomplished impressionist artist.
It wasn’t until working his way through college as a house painter that he started noticing how certain mistakes created interesting patterns; taking mental notes on how, for example, paint splatters formed, the separation or bubbling of paint that dried in the sun too fast, or different stages of drying paint that was rained on. Taking what would normally be a negative in the professional painting world and creating a positive. Mr Hamilton now owns and operates a high end painting and decorating business in Bloomington Indiana that specializes in faux and decorative painting called Rogue Renovation.
June 7–30, 2019
I paint things and dream of butterflies. often the two intermingle to create the surreal existence of life and death, beauty and the macabre that showcases itself in hidden glances and tangible whispers. There is an unsettling nature about my work that frequently shows in the detached expressions and passivity of my characters juxtaposed against the chaos of their world. As an artist, it is my job to bring the dreamscape to reality, to touch upon the unseen fantasy world that we live in. my hope is that you will share in the journey, even if it is just as a passerby, and perhaps take a piece of the glimpses I offer with you.
May 3–26, 2019
The exhibition “Form and Fantasy- A Hero’s Journey” depicts realistic bronze and aluminum life-castings, as well as printed black & white comics as a narrative about heroes, humanity, and the fight between good and evil. Nahas enjoys utilizing the human form because they are beautiful as stand alone forms, they are also figures that the viewer can relate to and engage with. By making the figures without faces, it becomes more mysterious and fantastical; the forms begin to create a relationship with its viewers, and allows the viewers become vulnerable to the expressions the art provides. This susceptibility gives them a sense of malevolence and/or benevolence that is often the range of one’s associations. Nahas uses this vulnerability as a source of power. It takes a brave and confident person to make themselves vulnerable, for they must have the strength to withstand the consequences, to become a hero.
“The narratives are purposefully ambiguous as there are many ways to interpret a single piece. Concrete gender roles no longer exist. Females can be more like males and males can be more like females. Upon closer inspection, one realizes that the piece is conceptually more complicated than the figures they assume. I blend the beautiful with the sad, fantasy with reality, idealism with truth as well as the deviant with the innocent. I decidedly leave these compelling dualities open for the viewer to draw their own conclusions. The fictional elements juxtaposed with non-fictional bodies are there to turn the world up-side-down and to leave the viewer off balance. Fantasies become realities and dreams become actuality. ”