Charles Culp was born and raised in a town called Vincennes. After receiving his degree in Education from Indiana University in 2008, he joined Americorps. Since then he has been an advocate for non-profits and community education in Colorado, Tennessee, and now in his home state of Indiana. He is passionate about making a lasting connection with his art, and he believes every person has an opportunity to grow and thrive as they discover their passions through the never-ending, formative years of our lives.
“Color is a language more empowering and accessible than any word, written or whispered. Color can also be used as a tool to divide us when we fail to think for ourselves, and if there is a voice of fear that calls for division, then I believe in the simple, artistic symbols of love that remind us of a greater union; of a shared history.
We must forever celebrate the vividness of our experiences, so that we can find comfort in the universal road signs, forever guiding our many journeys. I design art to represent all people, sharing brightly between the tones and marks of the languages we have created.
My work seeks to depict the uniqueness and depth of the human experience, transcending culture and time, encompassing the many different ideas that have enriched the lives of the people of this world through their deeds and rituals. Bold lines form familiar, godly faces, piecing together the ancient symbols that raised our ancestors from darkness, and as the artistic observer surrenders their perceptions of control, they move toward the beautiful truths of compassion, understanding, and love in every piece they view. “
Twenty years ago, I took a Cord Camera photography class, and this ignited my passion for travel photography. I began taking road trips throughout the United States and Canada. What excited me most about my earliest photography adventures was having the opportunity to share powerful images and sharp color.
In 2006, I traveled from the Netherlands to Italy, and I discovered architecture and landscapes that took my breath away. For my viewers, I wanted to capture the wonder I felt when I came upon these spectacular scenes. I continue to travel. My recent collections are of trip to Nepal, Southwest United States, and quick trip to Louisville Kentucky.
Black History Month first originated as part of an initiative by writer and educator Dr. Carter G. Woodson. He and the Association for the Study of Negro Life and History announced the second week of February to be “Negro History Week” Woodson proclaimed that Negro History Week should always occur in the second week of February — between the birthdays of Frederick Douglass and Abraham Lincoln.
Since 1976, America celebrates Black History Month. Therefore, we celebrate the history and give the platform to our own artists – local to Indiana: Deonna Craig, Shaina Bray, Milton Knight, Ezi Underwood, Damani Edmundson, and Robert Adams IV. To honor the important people and events in the history of the African diaspora.
My work is my attempt to come to terms with feeling; that remarkable gift we are given and have always known, and yet continues to be an entity of which we cannot explain. For feeling is strange and terrifying in the sense that every human will one day hear a different inner monologue that is foreign and yet irrefutably their own.
Our artist of the month is Diva Armas Luther, a digital artist that creates colorful prints of varied themes. Having a graphic design background, her work is inspired by typography and architecture magazine layouts. She grew up with influences such as, late 80’s to early 2000’s manga, international haute couture editorials, and contemporary political art from her home-country, Indonesia. After spending more than a decade being in different countries in Asia, she found comfort in Bloomington for the art scene and is excited to bring her own culture to the colorful B-Town.
She signs all the artworks with her name, but her handle is Komik Taksa.
I am an abstract expressionist painter who creates non-representational works on canvas. These works are alive with my organic and gestural movements
Charcoal and oil stick markings activate these canvases allowing my intuitive thoughts to develop and awaken. Working with acrylics, charcoal, spray paint, ink, collage and found objects are the mainstay of my toolbox. Drippy splats and dribbles of paint lend themselves to the rawness of my work, allowing areas of clarity, coupled with looseness of form and detail to shine through the layers of acrylic.
I know the rules … yet, I love to bend or break them.
My artwork is intriguing, sensual and edgy, creating a visual question of what is real and what is left to the viewer’s imagination. I describe myself as an artist who paints what I feel; and, my feelings, generally, take me to extraordinary places.
I am dissimilar from the crowd and believe my works create endless dialogues.
A photograph enables the dimension of Time to be added to art. An accumulation of time that the human brain is incapable of capturing. Or, a minuscule fraction of time that the brain is also incapable of capturing and retaining.
Artist Bio: I retired from a 38 year successful career of engineering – creatively solving problems to efficiently and safely deliver value and quality. I am discovering and developing my art to deliver value and quality – to the visual senses. With no formal training in the Arts, I embrace the challenge to look, see, capture, and articulate. I want my viewers to see, if just for an instant, through my eyes – the same images that they may Look, but may not have the time or vision to See. “Somewhere, something incredible is waiting to be seen.” is my motivation.
Ruth Y Liu: I used to be a university lecturer in China, teaching graphic design. My husband and I ran a photography studio for over 10 years since 2003. In 2014, my family came to the United States and settled in Bloomington, Indiana. Although the living environment and language environment have changed greatly, it has not changed my love for painting. At the same time, the local artists in Bloomington have given me a lot of encouragement and inspiration. I am honored to be a member of the local artists in Bloomington.
I love painting, and like to try different painting materials and styles, which makes my works show a strong diversity. In painting, I focus on the use of black and white painting, watercolor painting and acrylic painting materials, but I also do not refuse to try other new materials. In terms of painting subjects, I also try to create figures, animals, landscapes and abstract expressionistic paintings. Meanwhile, I also try to use new materials to create abstract paintings with Chinese and Tibetan culture as the theme. After settling in Bloomington, my interest in classical music inspired me to create some relevant abstract works. Therefore, I would like to say that my works are constantly changing with the change of living environment, and the diversity of my works is still growing.
As artists, we subject ourselves to criticism, both external and internal. There is that tier that we are always trying to reach, that next level that always seems out of our reach. Because of this constant chase, we often leave art behind, deemed ‘failures’ and ‘mistakes’ that should be hidden away from the world.
This show is to explore the idea that unfinished pieces, disappointments, and frustrations should be celebrated for what they are; beautiful works of expression and lessons learned. There is always someone that will appreciate what the artist creates in some shape or form, and as the creators, we must be proud of what our hands craft.
Bloomington photographer Grace Schafstall empowers women to love their bodies while exploring representations of feminine beauty. Through her boudoir photography, she examines the subtleties of the female form allowing the audience to experience intimate moments reserved for the camera.
“You are so used to your features, you don’t know how beautiful you look to a stranger.”
Self-taught photographer Grace Schafstall developed a love for photography 6 years ago when she was gifted a hand-me-down camera from an uncle. It had fallen off the roof of his car and he had upgraded. Scuffed and old as it was, Grace loved how it felt in her hand. She photographed as a hobbyist until January of 2018 when she discontinued her degree in Nonprofit Management at Indiana University to pursue her dream as a full-time photographer. Grace and her partner, Kevin, work together at GS Photos photographing weddings, families, and boudoir. They reside in Bloomington, IN with one roommate – Kevin’s 87 year-old grandmother. They spend much of their time improving their home, spoiling their 4 cats, and nurturing their dozens of plants.