I am an abstract expressionist painter who creates non-representational works on canvas. These works are alive with my organic and gestural movements
Charcoal and oil stick markings activate these canvases allowing my intuitive thoughts to develop and awaken. Working with acrylics, charcoal, spray paint, ink, collage and found objects are the mainstay of my toolbox. Drippy splats and dribbles of paint lend themselves to the rawness of my work, allowing areas of clarity, coupled with looseness of form and detail to shine through the layers of acrylic.
I know the rules … yet, I love to bend or break them.
My artwork is intriguing, sensual and edgy, creating a visual question of what is real and what is left to the viewer’s imagination. I describe myself as an artist who paints what I feel; and, my feelings, generally, take me to extraordinary places.
I am dissimilar from the crowd and believe my works create endless dialogues.
A photograph enables the dimension of Time to be added to art. An accumulation of time that the human brain is incapable of capturing. Or, a minuscule fraction of time that the brain is also incapable of capturing and retaining.
I retired from a 38 year successful career of engineering – creatively solving problems to efficiently and safely deliver value and quality. I am discovering and developing my art to deliver value and quality – to the visual senses. With no formal training in the Arts, I embrace the challenge to look, see, capture, and articulate. I want my viewers to see, if just for an instant, through my eyes – the same images that they may Look, but may not have the time or vision to See.
“Somewhere, something incredible is waiting to be seen.” is my motivation.
Felicity (Young) Nahas is a 30-year old artist, living in Bloomington Indiana, who likes to work with a variety of media, but primarily focuses on using watercolor and ink throughout her pieces. She has a BFA with a focus in drawing, from Ball State University.
You will see her play with line weights heavily throughout her works, and her use of a watercolor process creates vibrant backdrops to her paintings. Many of the pieces feature a sense of buoyancy with hints of gravity to that keeps the pieces grounded. She enjoys working with a variety of colors that are warm and inviting.
“Through my pieces I hope to find that people enjoy the sense of “getting lost in the moment” and get a sense of beauty and calming.”
-Felicity Young Nahas
July 5th-28th, 2019
Brandon Hamilton is a multi media artist who creates abstract textural pieces from a wide array of material. His art is deeply textured and uses physical processes such as air, heat and fire, water, velocity, and gravity among others to create works from recycled and found objects; commonly using organic materials, rocks, glass and metal in his paintings with a chaotic, yet purposeful layering approach that generally assumes forms reminiscent of ethereal landscapes of the universe and a hint of more earthbound geomorphic designs.
By using the forces of nature and physics to create these pieces he often likens his art as representations of the evolution of the universe and life itself. His interest in art began early in life, inspired by a very creative family environment, and his father, Walter Hamilton- who was not only a fine arts professor, but an accomplished impressionist artist.
It wasn’t until working his way through college as a house painter that he started noticing how certain mistakes created interesting patterns; taking mental notes on how, for example, paint splatters formed, the separation or bubbling of paint that dried in the sun too fast, or different stages of drying paint that was rained on. Taking what would normally be a negative in the professional painting world and creating a positive. Mr Hamilton now owns and operates a high end painting and decorating business in Bloomington Indiana that specializes in faux and decorative painting called Rogue Renovation.
JANUARY 4 – 28, 2019
H. Ward Miles strongly feels that her work has an important and necessary dual meaning. There is the personal and there is the political. She creates abstract work addressing a variety of topics both comfortable (family, love, relationships, parenthood, nature) and uncomfortable (social injustice, racial inequality, political differences, environmental destruction, war, sexism and fear) and seeks to represent the harsher aspects of life in addition to the complicated, but often universal beauty found in daily life throughout the world. Her paintings, often described as maps of her memories, give her audience a sense of great joy and happiness, but maintain enough of an edge to provide contrast and interest.