As artists, we subject ourselves to criticism, both external and internal. There is that tier that we are always trying to reach, that next level that always seems out of our reach. Because of this constant chase, we often leave art behind, deemed ‘failures’ and ‘mistakes’ that should be hidden away from the world.
This show is to explore the idea that unfinished pieces, disappointments, and frustrations should be celebrated for what they are; beautiful works of expression and lessons learned. There is always someone that will appreciate what the artist creates in some shape or form, and as the creators, we must be proud of what our hands craft.
Bloomington photographer Grace Schafstall empowers women to love their bodies while exploring representations of feminine beauty. Through her boudoir photography, she examines the subtleties of the female form allowing the audience to experience intimate moments reserved for the camera.
“You are so used to your features, you don’t know how beautiful you look to a stranger.”
Self-taught photographer Grace Schafstall developed a love for photography 6 years ago when she was gifted a hand-me-down camera from an uncle. It had fallen off the roof of his car and he had upgraded. Scuffed and old as it was, Grace loved how it felt in her hand. She photographed as a hobbyist until January of 2018 when she discontinued her degree in Nonprofit Management at Indiana University to pursue her dream as a full-time photographer.
Grace and her partner, Kevin, work together at GS Photos photographing weddings, families, and boudoir. They reside in Bloomington, IN with one roommate – Kevin’s 87 year-old grandmother. They spend much of their time improving their home, spoiling their 4 cats, and nurturing their dozens of plants.
Inner feelings made tangible via brushwork and extravagance. Representative and abstract works in acrylic by Milton Knight.
Milton Knight graduated from BOCES Cultural Arts Center (Syosset, N.Y.), then took a few college classes in art at Hofstra University while beginning a freelance art and writing career. He left home at seventeen, eyeing out what some would call a semi-living at through crafts while enjoying a lovely semi-homeless existence on Manhattan’s waterfront. He finally landed in a Brooklyn brownstone where he spent seven water buggy years.
Knight spent the 1980’s on the outskirts of the “radical art scene” of Greenwich Village. A challenging time, if not always a happy one. Labor on Ninja Turtles comics allowed him to get up a grubstake to move to the West Coast in 1991, lured by prospects of a more healthful existence. “There I followed a riot and a few earthquakes while working in animation as a designer, animator, and debuting as a director thanks to a good friend Felix the Cat and yes, I did a spot of work for Disney.
Today Knight works on a stream of independent projects, which have included a first novel, independent animation, and painting. He became a Bloomington resident in June of 2018.